Digital music software which have gained in popularity over analog media both because of technical advantages associated with their production, reproduction, and manipulation, and also because they are sometimes of higher perceptual quality than their analog counterparts. Since the advent of personal computers, digital media files have become easy to copy an unlimited number of times without any degradation in the quality of subsequent copies. Many analog media lose quality with each copy generation, and often even during normal use. The popularity of the Internet and file sharing tools has made the distribution of copyrighted digital media files simple.

We offer a large collection of exclusive and astonishing Digital media such as audio interface, where publishers have business models that rely on their ability to collect a fee for each copy made of a digital work, and sometimes even for each performance of said work. DRM was created by or designed for digital media publishers as a means to allow them to control any duplication and dissemination of their content.

One of the first and most widely contested DRM systems was the Content Scrambling System (CSS) used to encode DVD movie files. This system was developed by the DVD Consortium as a tool to influence hardware manufacturers to produce only systems which didn’t include certain features. By releasing the encryption key for CSS only to hardware manufacturers who agreed not to include features such as digital-out, which would allow a movie to be copied easily, the DVD Consortium was essentially able to dictate hardware policy for the DVD industry.